Showing posts with label Book Reviews. Show all posts
Showing posts with label Book Reviews. Show all posts

Tuesday, 17 January 2012

Have You Ever Read a Book That Changed Your Life?

Once in a while a book comes along that has a profound influence on you. So much so that the experience of reading it actually compels you to make changes in your life. Personally, this has only ever happened to me a handful of times, but just last week I finished a book that left me feeling empowered and ready to tackle some of my own demons. I'm talking about a little pocket classic titled Writing Down the Bones: Freeing the Writer Within by Natalie Goldberg. This delightful nugget of wisdom was originally published in 1986 and at the time created a mini revolution in the way people approached the art of writing. I purchased the book from a paranormal romance author on one of my fortnightly book buying jaunts for my second hand bookstore. It immediately went into my satchel and I've been carrying it around with me, reading a chapter here and there, for the last month. Last week I finished it, and after years of arguing back and forth within my own mind about whether to attempt to write, and usually losing, I finally put pen to paper in and honest and real way.

Writing Down the Bones is not a manual on how to write. It's something much more. It's about being honest enough to free the writer hidden within yourself. It's also about leaving yourself enough room to explore the craft fully and breathe your own life into it without censorship. It talks of the physicality of writing and the importance of total immersion. It teaches you to embrace your failures as much as your successes, and to that end it's not just teaching you about writing but also about how to approach life in general. 

I could go on and on about the things I've learned from this book, but there is one quote in particular that resonated the most - "I used to think freedom meant doing whatever you want. It means knowing who you are, what you are supposed to be doing on this earth, and then simply doing it" ( pp71). This is a truth that I've only recently come to grips with myself. Reading it in print elicited a physical reaction, as it helped me to not only understand what I was good at, but to accept these things as gifts, and to embrace them fully rather than fighting them. I can now say with conviction and contentment that I'm a leader, a teacher, and a writer, and those are the things I want to pursue in my life. 

To say that this book alone got me to this point would be naive. The reality is that this book found me at the right time and helped push me over the edge of a cliff that I was already leaning over. It may not have the same impact on you. However, it is my belief that writers of all sorts will find some, if not many, gems of wisdom in this book. Its' short, punchy chapters also lends itself to re-reading. I can easily picture myself picking it up every now and then in years to come when I'm struggling for inspiration.

If you've read this book I'd love to hear your thoughts on it. I'd also love to hear what books have impacted on you so much that they've made you take steps to change your life, no matter how big or small.



Wednesday, 1 September 2010

Book Review - Portnoy's Complaint (by Philip Roth)

I can sum this book up in one word - hilarious!! It had me laughing out loud within the first few pages and I was still laughing as the book came to a close. Did it leave me feeling a little dirty? Yes!! Whilst reading Portnoy's various, and certainly creative, ways of spanking the monkey, I did question what might have attributed to the dog-eared, heavily creased, moisture marked copy of the book that I was forced to read (pictured left). What was the book all about? Well, I'm still not too sure, but I don't care because it was such an enjoyable ride.

Philip Roth's Portnoy's Complaint is the ramblings of Alexander Portnoy to his psychoanalyst Dr Speilvogel. Portnoy is afflicted with a condition that results in uncontrollable and often perverse sexual impulses. Over the course of the book Portnoy details his compulsion to masturbate as a teenager and various lewd sexual encounters as an adult in an attempt to discover what has caused his affliction. We learn that he feels trapped between his need to delve deeper into degradation in search of sexual enjoyment and his overiding sense of shame at his actions. Portnoy begs of Spielvogel: Is my condition the result of the orthodoxy of growing up in Jewish America? Can I attribute it to my obsessive relationship with my overbearing and repressive mother? Does my bowel-challenged father have something to do with it? Or, am I just a symptom of society - the American male of the times?

Written in the late 1960s, the books' heavy sexual content made it something of a scandal and in some parts of the world it was actually banned. With chapters titled 'Whacking Off', Roth makes no attempt to hide the main theme of his book. Though times have changed, I'd venture to say that some readers would still find the contents confronting and a little too sexually explicit. You've been warned!!

So, what is Portnoy's monologue all in aid of? As I said before, I'm still a little uncertain. Roth is obviously passing comment on society at the time, but Portnoy's Complaint is not so much a social commentary as it is one man's exploration of his own condition - an attempt at self-diagnosis, if you like. One criticism I have of the book is its' length. I think Roth could have achieved the same result in under 200 pages as he has in 300, but it's a minor flaw. The books strength for me is Roth's wit. I don't find many books laugh-out-loud funny, but this one had me roaring. (3.5 Stars)

Portnoy's Complaint is listed in the book 1001 Books You Must Read Before You Die. For your chance to win a copy of 1001 Books You Must Read Before You Die please see our Giveaway in our recent post.

Portnoy's Complaint was also recently the subject of discussion on the First Tuesday Book Club on ABC TV. To download what the experts had to say, or see a transcript of the show, just click here.

Thursday, 19 August 2010

Book Review - The Hand That First Held Mine (by Maggie O'Farrell)

I'm going to get straight to the point here and announce that I was pretty underwhelmed by The Hand That First Held Mine. After rave reviews by members of my book club of O'Farrell's earlier novel The Vanishing Act of Esme Lennox, I was really excited to sink my teeth into the work of a new author. This excitement soon dwindled as it took me six weeks to struggle through the books uninspiring 341 pages.

The book is at once the story of young Lexie Sinclair and her short but bright life in 1950s Soho with the flamboyant Innes Kent, and the story of present day couple, Elina and Ted, grappling with the birth of their first child. Right from the beginning we know that somehow these two stories are intertwined. We flit and float between these four characters and their support cast as O'Farrell gradually feeds us the clues that link these two stories together, until the bombshell is inevitably dropped at the end.

The story itself is relatively fluid, but I could sense the author working at trying to deceive us. For example, we never know what really happened to Elina when giving birth and I wonder whether the author only includes her post-partum depression to throw us off the scent. As a result, there are a few loose ends by the books conclusion.

But it's the blend of story and character that really made this book a chore for me. From the very beginning of the novel I felt detached from the characters, as if I was gazing on them from afar, with little concern or care. Maybe this was the author's intention as Lexie, Innes, Elina and Ted all become detached from the world and their loved ones in some way or another throughout the course of the book. But, if it was the author's intention, it certainly didn't endear me to them or the story. This detachment juxtaposed with the connections the book is trying to make between characters spread 50 years apart is a contradiction that left me feeling a little confused.

The predominant theme of the book is motherhood and it's this that links the stories of Elina and Lexie. O'Farrell uses the time settings to identify both the similarities and differences of motherhood over the generations. I read one review that described the book as an ode to motherhood and I'd have to agree. The one strength of the book is O'Farrells understanding of a mother's love in all it's guises and permutations. However, this doesn't save the book for me. The book explores motherhood among other common themes including love, betrayal, revenge and loss, but there's nothing new here, not even in the delivery. (2 Stars)

If you are a fan of Maggie O'Farrell's work and want to give The Hand That First Held Mine a try for yourself, you can purchase a secondhand copy from our website by clicking here - Buy Now!!

Thursday, 24 September 2009

Book Review - Too Close to Home (by Linwood Barclay)

Hmmmmm.....I think I should preface this review by stating that crime/thrillers are not my "go to" genre for books. Even when confronted with a stuck-in-the-airport-with-no-reading-material-situation, I am unlikely to purchase such a garden-variety example from the glut already drowning us. But as the September selection for my book club, my fate was fixed. Whilst I will concede that the crime/thriller choices of my book club have occasionally surprised me with a gem like The Girl with the Dragon Tattoo by Stieg Larsson, they have more often than not bored me with ho-hum attempts of which Too Close to Home by Linwood Barclay is a tragic example.
Sporting a generic cover aspiring to be a B-grade horror movie poster, the book looked as bland as I was about to discover its innards tasted. There was a slight chance that reading the blurb might bolster my appetite, but a quick scan confirmed my suspicions that here was yet another formulaic thriller novel designed to spoon feed the masses. And the contents, you ask? Well they left me feeling nauseous.
Too Close to Home is essentially a murder mystery centred around the cold-blooded execution of an entire family. Young Derek Cutter witnesses the murder and his family soon become embroiled in the quest to find the killers. The back cover blurb attempts to trick you into believing the book has more depth than my brief synopsis indicates, but the storyline and character development are as shallow as they come. The bumbling plot stumbles along through a hodge-podge of convenient coincidences, irrational character decisions and clumsily designed sub-plots designed to throw you off the scent but fail to do exactly that. Not to mention the ever-predictable last-minute twist that we all saw coming.
Let’s take a look at some specific examples. The book is set in an average town, full of average people and focuses on an average family. The key word here is average. But we are asked to believe that an average person would decide not to co-operate with police, but instead investigate the crime themselves. Who are these people? The central character hires a new employee, who he later learns is a bank robber, but still keeps him on leaving him alone with his recently traumatised son without really questioning his character. Again, who are these people? And let’s not forget the average town mayor who gets publicly drunk and vomits at the front door of a halfway house for women, has sex with an under-age hooker, and punches his employee in the eye, but always seems to win the people over and elude any questions about his leadership. Do I need to say it again? I could go on and on, but the basic point is that the characters and the storyline are totally unrealistic and we are asked to be gullible beyond all reason. As far as I’m concerned, this is a mortal wound for the book. You’ve lost me. Case closed!
I am but a small fish and history proves that my opinion is no true reflection of "what’s hot" on the bestseller list. Keeping with tradition Too Close to Home has enjoyed a superfluity of praise in the reading world. Not only did it win the Best Novel category at the Arthur Ellis awards (the top prize in Canada for crime fiction), but it was also a UK bestseller, at one stage selling over 45,000 copies in just one week. So it begs the question - am I missing something? Please enlighten me.
I apologise in advance to Linwood Barclay as I am sure he doesn’t deserve this treatment. His book is merely the catalyst for my rant and he is most certainly not the only offender. My quibble is with the whole damn crime/thriller leviathan. I don’t mean to sound pretentious, but when did it become OK to underestimate the average reader? And when did we, as the readers, stop fighting against it? When did we submit?

Thursday, 17 September 2009

Book Review - The World from Islam (by George Negus)

I’m ashamed to say it, but other than a brief study of the Arab-Israeli conflict in High School, my knowledge of Islam is extremely limited. Like most of us, I rely entirely on the television and tabloid media to provide a frame of reference for this complex part of the world. And like all media, it’s difficult to separate the sensationalism from the actual facts. So when I came across a copy of this book I was keen to give it a go and find out what one of Australia’s most respected journalists, and one that I have great admiration for, had to say about the issue.
The book is not a history of the Muslim world – actually it’s far from it. The tag line on the back cover reads – “Not everything, but a hell of a lot of what you always wanted to know about Muslims, but no one got around to telling you.” And that’s exactly what the book delivers. Negus presents his information through a series of colourful anecdotes that he has written over 25 years of travel and reporting from this region. Along the way we meet some interesting characters who make up Negus’ extended Islamic family and we share in the ups and downs of their lives.
Somehow Negus manages to demystify many things that seem foreign to residents of the Western world – the burka, Ramadan, insh’allah (god willing) and the Qur’an (or Koran). And surprisingly, what becomes most clear in this book is that despite the obvious differences in religion and culture, the Muslim world also shares many similarities with the West. We are not as different as we may think!
During one period of his travels throughout Islam, Negus was accompanied by his young son. It was Negus’ numerous accounts of his son’s reactions to some of the more terrifying and violent events that have occurred in the area that I found most interesting. Seeing these events through the eyes of an innocent child who is unaffected by political scare tactics really puts everything into a simplified perspective. We learn that Muslims are human - just like us - and that they want the same things out of life – a happy family and a safe home.
The real beauty of this book is that Negus manages to provide a rational and balanced account of the Islamic world. In the September 11 aftermath, governments are hell-bent on instilling a fear of Muslims and terrorism amongst their constituents. It is refreshing to listen to a voice of reason. Negus declares with unabashed certainty that “more than 99.99% of Muslims are not, repeat not, terrorists”, and after reading this book I agree wholeheartedly. Negus has certainly managed to illuminate this young mind with his human insight.(3.5 Stars)

Wednesday, 16 September 2009

Book Review - The Da Vinci Code (by Dan Brown)

It was with grave trepidation that I picked up The Da Vinci Code. As a general rule, and excluding the classics, I normally refuse to read any books that are so universally praised – there’s bound to be an anti-climax. But after much pressure from my market customers I caved to the persistent “You have to read The Da Vinci Code” comments. As most of the literate world has read the book, I’m not going to bore you with the storyline, but I will give you my reasons for thinking it fairly overrated.
For me the book started off well. I was lured into its’ intrigue and enjoyed the ambience that was created by the books’ setting and artistic backdrop. But after the first couple of chapters my concentration wavered as I became increasingly disappointed by the predictable plot. For a book that is described as a brain-teaser and a page-turner with endless twists and turns, I felt incredibly let down. Let’s be honest – do we really need a world-class cryptographer to recognise a Fibonacci sequence? Last time I checked it was part of the NSW High School Maths Curriculum. Nor does it take a Harvard symbologist to recognise Da Vinci’s Vitruvian Man. Add all this to the fact that I knew what was going to happen 10 pages before it actually happened and in my eyes you have a bit of a fizzer that, quite frankly, was a little insulting to the intelligence.
The mundane plot aside, I also found the lead characters lacking any real personality. Dan Brown focuses so much on the plot that he fails to develop either Robert Langdon or Sophie Neveu – they are merely transporters of the story – a way to move the plot along. The real characters of the story are Da Vinci, Opus Dei, The Priory of Sion and religion itself - which is all well and good but hardly groundbreaking. You only have to turn the clock back to the early 1980s and a controversial book called Holy Blood, Holy Grail (by Baigent, Leigh & Lincoln) to see that stories about this very subject matter have been circulating for centuries.
Some might think I’ve been too harsh. So to calm the masses I will acknowledge that the book was competently written and that it’s a much better read than some of the other “crap” out there. But in my view the only thing that makes the book so captivating for readers is the subject matter. People go wild over anything that questions the basis of religion. I guess we have to thank Dan Brown for at least encouraging many people who haven’t read a book for years to pick one up again. (2 Stars)

Monday, 14 September 2009

Book Review - Middlemarch (by George Eliot)

First thing’s first – I’m a Jane Austen girl. Her timeless novels form the backbone of my reading experiences. Those of you who are familiar with Austen and Eliot’s work will understand that being an Austen girl, it took me a little while to crave the taste for Eliot’s writing. Actually it took me about 5 false starts, but on the 6th attempt to read this classic novel, I was well and truly hooked.
The book is set in the provincial English town of Middlemarch in the early 1800s and it is here that we meet the two central characters, the first being Dorothea Brooke. Dorothea is a beautiful, virtuous young lady whose seeming purity of soul is admired by all those who know her. Dorothea dreams of leading a heroic life and feels she will best attain this by marrying Mr Casaubon - an elderly, stodgy scholar who Dorothea believes is destined for greatness. Dorothea does indeed marry Mr Casaubon, but she soon becomes stifled by his constant study and lack of use for her.
I have to say that I initially disliked Dorothea. I found her almost manic desire to marry Casaubon quite irritating. However, the book soon shows us that despite Dorothea's best laid plans, she is just as misguided and flawed as the rest of us. As a consequence, by the end of the book Dorothea had found her way under my skin and I found myself cheering her on and championing her transformation.
The second dominant character of the book is Tertius Lydgate, a young and ambitious doctor whose affliction for the heroic matches Dorothea's in strength. Lydgate comes to Middlemarch with big plans to change the way medicine is practiced in the region, and early on is very successful. But like Dorothea, Tertius' hasty marriage begins to backfire and his vision soon begins to crumble, as does his life, around him.
Though the book centres around these two characters, it is the support cast that makes this novel so addictive - it has a true sense of community. Whereas Jane Austen is primarily focused on a small number of central characters, Eliot manages to interest us in a whole community of people. We see how the lives of seemingly unimportant characters impact upon the lives of the ones we love, and we see how a community has the uncanny ability to shape people. The narrative is rich, filled with both suspense and drama. It's so delicious, it's almost edible. This is trully one of the best books I have ever read and deserves its' place among the classics. (5 Stars)